To achieve this, he proceeded so systematically that every possible movement is provided for. In his Violin Method Ševčík aimed at absolute freedom and independence of both left and right hand. In short, one may learn systematically what is wrong just as easily as what is correct. inefficientlyĮxecuted, they will defeat their aim. This attitude may be a natural gift or it must be developed through a conscious grasp of the principles of movement.Īll repeated actions become habitual : if motions are It is however impossible to secure functionally correct performance through exercises unless the right attitude exists towards physical problems.
Like any other course of studies for the violin, Ševčík's work, though more concentrated and rational, is a means of schooling the sequence of movement. Sparing of words in his lessons and never fond of lengthy explanations, he gave his students useful exercises designed to eliminate or correct faulty movements.
This Ševčík controlled and corrected when teaching.
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Whoever studied under Ševčík's guidance and had the benefit of his oral instruction knows how he insisted on good musical interpretation.Ĭonsequently, though Ševčík's personal teaching was fully adequate both technically and musically, it may not be so simple to apply the printed music to full advantage, for none of his works contains adequate instructions about the necessary and efficient condition of the physical mechanism. The true musicality contained in his works is just as This is unjustified: It is not fair to blame the method for having been applied to men of outstanding and lesser genius alike. In that way, it’s similar to investing in real estate.Ševčík's method is sometimes criticised for developing one-sided virtuosity in the pupil. “Paintings are timeless, so investing in them comes with a lot of security. Art of this quality and caliber is almost limitless in its ability to increase in value.” To understand some of the motivations behind investors buying fractional shares of art, Cheryl Ellzysmith, a 29-year-old studio artist from Philadelphia, told CNN, “I saw this gap between the value of art and the ability of the average person to be able to invest in - or own - ‘blue-chip’ art. From their home page, “Since 1995, contemporary art prices have outperformed the S&P 500 returns by over 174%”. Masterworks' goal is to the beat the S&P 500. As it appreciates, the investor can choose to sell their shares for a profit on the secondary market or wait for an exit. The platform allows investors to monitor the performance of their art over time. After the art is approved by the SEC, Masterworks.io can list it for sale on their platform. Once a piece is selected, Masterworks buys it then qualifies the art with the Securities and Exchange Commission (SEC). One of their key focuses is on purchasing the best works from specific artists - as the art market is highly dependent on the artist, not the work itself. That is how smaller collectors will make a return. It wants to buy art that has the best chance of continuing to appreciate. Masterworks looks at how specific art pieces have appreciated over time.
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